
NOTE: Painting Credit: Artist Christian Schad, Agosta the Winged Man and Rascha, the Black Dove, 1929
YESTERDAY'S TOMORROW IS TODAY! Gstone Turas is a Second Life Avatar who time travels and blogs about it. "The real joy of living in the 21st Century is the ease of access to Jazz-Age music, art, film, books, radio shows, fashion and history."

NOTE: Painting Credit: Artist Christian Schad, Agosta the Winged Man and Rascha, the Black Dove, 1929
TRAVEL IF YOU CAN
Jazz Baby Productions The “New Negro,” is a term taken from the title of Alain Locke’s 1925 collection of poetry, prose, art and essays. It represents the undeniable excellence and influence of black culture during the Harlem Renaissance.
The revival was broader than just Harlem; it took place in St Louis with Jazz, in Chicago with the Blues, and other cities too.
Imagine the Jazz Baby as inspiration for this famous Langston Hughes poem:
DREAM VARIATIONS
To fling my arms wide
In some place of the sun,
To whirl and to dance
Till the white day is done. Then rest at cool evening
Beneath a tall tree
While night comes on gently,
Dark like me-- That is my dream!
To fling my arms wide
In the face of the sun,
Dance! Whirl! Whirl!
Till the quick day is done. Rest at pale evening . . .
A tall, slim tree . . .
Night coming tenderly
Black like me.
FLORENCE MILLS was born on January 25, 1895, in either Washington, D.C., or Virginia. The facts about her early life are uncertain. She was considered to be a child prodigy and was winning dance contests when she was virtually a toddler. At the age of 4 she was specially featured in "A Trip to Coontown." She made her first stage appearance at the age of eight in Williams and Walker's "Sons of Ham" in Washington, D.C. She was billed as "Baby Florence Mills" and sang "Miss Hannah from Savannah," a song she learned from Aida Overton Walker. Her family moved to New York where she and her two sisters worked in vaudeville as the Mills Trio. Florence played vaudeville until she was 25 years old, teaming up with people like Ada "Bricktop" Smith and Cora Green.Sadly there are no existent audio or film recordings of Florence Mills, but from the numerous playbills, and sheet music portfolios it is clear that she was a sensational performer.
